PICKLE | London, Park Theatre

Recommended

Two-word summary: it’s Jewish Fleabag. Yes, that world-dominating, award-winning sitcom started as one-hour, one-woman show, too. After captivating audiences during its sold-out performances in May, Pickle returns to the Park Theatre for a two-week run, in this cheeky and authentic exploration of what it means to be a young Jewish woman in London today.

Pickle is written and performed by Deli Segal, produced by Tanya Truman (Confessions of a Rabbi’s Daughter; Tier Three Sisters) and directed by Kayla Feldman (Swimming; Dear Peter), all female Jewish theatre-makers who strive to amplify Jewish voices on stage.

Pickle is all about one woman’s experience of reconciling belief and tradition with change,” says Deli Segal, writer and performer. “I wanted to tell a story that explores being in the middle of both worlds: the parts that fit together, and the parts that don’t. The vibrancy, the spirit, the richness of culture, the humour of Jewish life – those things often get lost.”

Ari lives at home in North-West London, where her life is dominated by overbearing parents, tradition and expectations. However, her daily life includes her job, going out – and, inevitably, the dating scene. Pickle follows Ari as she tries to balance Friday night dinner with drinks at the pub, JSwipe with Hinge, being Jewish and secular. This uproarious simcha of a one-woman show explores a young Jewish woman’s psyche as she navigates her two contrasting worlds with irreverent humour and heart. Expect smoked salmon, guilt and a large dose of self-deprecation as Pickle brings Ari’s vibrant world to life.

Playing at the Park Theatre 14 – 26 November, 2022.

The Prickle - About transp

INTERVIEW: SAUL BOYER (UNLEASH THE LLAMA)

Interview

Saul Boyer from comedy duo Unleash the Llama (Saul Boyer + Sam Rayner) answered our questions about their new, hit, one-man show, Man of 100 Faces.

– Tell us about Unleash the Llama.

SAUL: Our first play at the Edinburgh Fringe in the halcyon days of 2014, Nougat for Kings, was a swashbuckling period drama, but performed as if it were a pulp action movie from the 1970s: we needed a name for our production company that captured the sheer lunacy of the play. One of our delightful designers told us about his schooldays in Peru, and how the teachers would “unleash the llamas” to get the lazy kids to run. “And you know their spit? It burns!” It sent us into paroxysms.

– Who was Sir Paul Dukes?

SAUL: Sir Paul Dukes was the first spy in British history to receive a knighthood. He ran away from home at 16 years old, to pursue his dreams of becoming a famous musician in Russia, and soon found himself swept up in the ferment of revolution. He got involved in the storming of the Winter Palace in the first revolution of March 1917, when the Tsar was deposed in favour of the democratic government. He was then recruited by MI6 to replace their last spymaster in Russia, who was assassinated. Our play, Man of 100 Faces, charts just a fragment of his extraordinary life.

– How did the show evolve over your successful month long residency at the Edinburgh fringe?

SAUL: Edinburgh is our testing ground; this being my seventh Edinburgh Fringe. But, this is the first time I’ve ever done a one-man show. Playing a host of different characters crisply is a technical challenge, and the energy expended over an hour is quite immense; my shirt is drenched after every performance. Over the fringe, the characterisations became deeper, and the transitions became slicker. After the festival, Sam and I worked closely to rework the script and give the story the three-dimensional depth it needed to breathe, without losing the comedy.

– What’s next for Unleash the Llama?

SAUL: We are hoping to tour Man of 100 Faces nationally, and considering writing a sequel. We are also looking forward to revealing a new project to be premiered at the Vaults Festival early next year. It is the true story of a Sierra Leonean satirist who came to the UK in 1908 to make his fortune as “the greatest British writer the world had ever seen”. And we will definitely be back at the Edinburgh Fringe in the near future!

Man of 100 Faces plays at the King’s Head Theatre in London, 27 September – 1 October 2022.

The Prickle - About transp

TJOE & NTBM | Hong Kong, Peel Fresco

Recommended

It’s hard to put into words how impressive and special this weekly jazz night is at this tiny live music venue near the party district around Central. Tjoe Man Cheung is a young jazz guitarist of exceptional skill, who, despite his unassuming demeanour, is clearly an excellent bandleader too. Moreover, he seems to know every dynamite musician in Hong Kong, so his “jam session” ends up being of a ridiculously high standard.

NTBM stands for “Not To Be Missed”, and this is apt. The actual “house band” line-up might be slightly different each Sunday evening, but whoever you get, you can be sure of a few pre-rehearsed tunes of outstanding quality, hovering around contemporary jazz-funk, to suit Tjoe’s guitar.

But the star attraction is the jam. Musician after musician, every audience member who joins the action is unique and phenomenal. There doesn’t appear to be any sheet music, even for the niche and complex numbers: just a quick murmur amongst themselves of the title and the key, and away they go, sounding tighter than a lot of pro bands. How is this possible? You may find a Japanese tap-dancer joins in with an improvised solo worthy of its own Broadway show, or an avant-garde vocalist improvises disquietingly around a classic, or a drummer changes tack and rocks out on a melodica (à la Jacob Collier).

Audience participation is very much encouraged. A couple of singers get up who are not first-rate, but relish the opportunity to perform. Little percussion instruments get passed around. It’s a steal at $100 HKD entry; although this entry fee is waived for latecomers who miss the main show. The bar is outrageously expensive (think $75 HKD for a Diet Coke) but still NTBM.

Check out all the live music at Peel Fresco online.

The Prickle - About transp