The Edinburgh Fringe is upon us! And here at Prickle HQ we could not be more excited about Unleash the Llama’s new show, a self-professed, “twisted millennial romcom that absolutely no one asked for”. This brand new two-hander sold out its London previews, and got the audience into quite a tizzy (see the video below).
JEW…ish is a pitch-black, romantic comedy about true love, politics, and two millennia of inherited trauma. TJ (Edie Newman) and Max (Saul Boyer) are in love; with amphetamines, the Palestine Liberation Organisation and ooh, Jeremy Corbyn. Occasionally even each other. There’s just one thing: Max is Jewish. TJ isn’t. He’s desperate to escape the tribe; she’s looking to sign up. What happens when you don’t identify with your identifiers, and you break out of the boxes you’re born into?
Unleash the Llama was founded in 2014 by Saul Boyer and Sam Rayner, with the goal of creating unique and ambitious comedy productions. Unleash the Llama were responsible for the hit 2014 Underbelly show Nougat for Kings (“hard to take your eyes off” – The Scotsman), the irreverent narrative comedy podcast: ‘PanaMax’ and the sketch show TüManz 2k18 which premiered at London’s Leicester Square Theatre in January 2018.
For JEW…ish, Boyer teams up again with Poppy Damon, having won awards for their writing together (Shortlisted for The RSC/Other Prize, Papatango, Cannes Series ‘In Development’ Award), with Kennedy Bloomer directing and Zoe Weldon producing.
Playing 1:30pm at the Gilded Balloon until 26 August 2019.
Debussy’s celebrated 1902 opera, Pélleas et Mélisande, is the only opera he ever finished. Normally running (with intervals) at three hours, Opera on the Move’s new production has cut it down to 90 minutes straight through, with a cast of just six: three men, three women. Edited and rescored for two pianos by Peter Brook and Marius Constant, this is a dark tale, in which things are rarely as they seem.
Based on Maeterlinck’s inscrutable 1893 symbolist play, a stranger arrives in a strange land. Golaud (Benjamin Schilperoort) discovers Mélisande (Emilie Cavallo) in the forest. Enraptured and obsessed, he brings her home to be his wife. In this home of dying patriarchs, jealous minds and hopeless futures, it is not Golaud she sees, but his brother – Pélleas (Ben Thapa).
Directed by up-and-coming director Gareth Mattey, this new production embraces the surrealism of this fin-de-siècle masterpiece. True to the original, this scaled-down production will be performed in French with English surtitles.
London’s Playground Theatre in Latimer Road is the perfect place for Opera on the Move’s first fully staged opera, bringing together an international cast of singers and performers. Founded in 2018, Opera on the Move is a touring company based in London, who believe that opera is an exciting, engaging, and accessible art form, dedicated to bringing it to places it’s never been before.
Playing 8th and 10th May only. Book tickets online.
What a week for queer theatre that’s full of joy with a feminist bent! Acclaimed Drag King troupe BOYZ are heading up a Drag King Club Night at Bethnal Green Working Men’s Club, featuring the well-known stars Johnny Rubber, Wesley Dykes, Fanta Le Mon, and many others.
Sending up the nineties (and noughties) boy band invasion, BOYZ promise: “sweet, sweet tunes, and moves, from your fave decade”. Nostalgia. What absolutely categorises BOYZ‘ drag is its joy, silliness, and inclusivity. It’s a real party, and everyone’s invited.
There is, of course, a political edge. RuPaul’s Drag Race is now fully mainstream, and the bitchy, diva drag queen is now a little passé. Meanwhile, a drag king revolution has been kicked off in London in the past few years by the likes of BOYZ and Pecs: The Drag King Collective.
The show, starring BOYZ and special guests, runs 9pm-10:30pm (doors at 8pm). BOYZ‘ shows are always extremely popular, and seats are unreserved, so get there early to bag a table and a drink. After the show, keep the party going with DJing into the wee hours.
Book online now and save 30% on tickets!
Hot on the heels of his New Zealand transfer of COFFIN, Elliott Langsdon brings a short ‘Work-In-Progress’ production of his new dark dramady to Katzpace in a strictly limited run of just five performances, all about “worming” one’s way back into a relationship. COFFIN received a phenomenal reception in London, and one New Zealand critic called it “the funniest play I’ve ever seen”.
“I’ve always been drawn to Machiavellian characters like Iago,” says Langsdon, “and this play is almost a little bit like a modern-day Othello in structure, but crammed with some absolutely mad humour and surreal moments. We’ve been having an absolute ball in rehearsals. I’m really excited for people to see it.”
Meet Stefan (Sam Goodchild) and Mica (Mica Williams): two young millennials just trying to get through their hectic lives whilst maintaining their relationship and paying off their student debt. Meet Sam (Sam Stay) and Faye (Melissa Coleman): Stefan and Mica’s best friends, and closest allies, as things seem to be going south. Meet Ben (Robert Frimston): Mica’s ex, down on his luck. Returned from the past. And ready to “patch things up”.
With adult themes, strong language and nudity, audiences can expect to do plenty of worming and squirming of their own. If COFFIN is anything to go by, Elliott Langsdon is one to watch, so get on down to Katzpace and get ready for THE WORM.
3 – 7 March 2018. Book online for £10 tickets.