INTERVIEW: Jonathan Burrows (Burrows & Fargion)

Interview

Choreographer Jonathon Burrows speaks to The Prickle about a new Burrows & Fargion double bill at Sadler’s Wells: Rewriting (2019), and Science Fiction (2021).

– Who are your inspirations?

I think the interesting thing is how many different, overlapping and constantly changing inspirations people have, which reflects the ways in which culture is always about the work of the many, rather than a few select individuals. And I love how the things you love don’t have to make sense together. I love dub reggae sound system culture, but I also play English folk music.

– You and composer Matteo Fargion been collaborators for thirty years; how have you managed to work together all this time?

I think Matteo is a very patient person, but also we don’t have many meetings and that seems to help.

– Burrows & Fargion pieces straddle the line between dance, music, performance art and comedy. How would you describe a typical audience member?

We have three philosophies about audience, which have kept us going over the years. The first is, “Whoever comes is the right person”. The second is, “How the audience sit is how we should sit”. And the third is, “Equal together under the same roof”. When these ideas work, people spontaneously seem to walk onstage at the end, to look at our scores and talk. And then you find out there’s no typical audience member at all.

– What’s next for Burrows & Fargion?

We don’t really make plans for the future, but rather just try to keep going with our practice, and all the parts of the practice are important, including performing, teaching, talking, writing and so on. For twenty years we’ve had no office and no regular funding, and we share all aspects of the work and pay equally. We like it that way, as it means we don’t have to make any promises about what we might or might not manage to do.

Burrows & Fargion Rewriting and Science Fiction plays at Sadler’s Wells 5 – 6 May 2022.

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INTERVIEW | Anna Ferrer, Magalí Sare & Manel Fortià

Interview

The Prickle spoke to Balearic singer and multi-instrumentalist Anna Ferrer, alongside Catalan jazz duo Magalí Sare & Manel Fortià. They will be performing at The Pheasantry in London on 5-6 April, as part of Spotlight on Catalan Culture – the UK’s largest festival of Catalan arts, music and culture taking place across the UK March – June 2022.

– What does the Spotlight on Catalan Culture festival mean to you?

FORTIÀ: It is a great opportunity that allows us to show what kind of music we do outside Catalonia and how the audience reacts to it.

SARE: I love the fact that a festival like this exists. It’s a very cool way for locals to discover new music and to create new bonds between these cultures.

– How about audience members who can’t speak Catalan, and are totally new to Catalan music and culture; do you think they will still have a good time?

SARE: Of course they will! And we will also explain the songs during the concert.

FERRER: The reality of what one wants to say, if it’s authentic and comes from the heart, can come through via other, much more intangible ways.

– Many people say music is universal: do you think that’s true?

FERRER: Humanity is universal, the feeling of belonging to a cultural net is universal… and music is one of the first forms of expression of a community. Without a doubt, yes: music is universal.

FORTIÀ: Sometimes I have played with musicians that didn’t speak the same language as me and it worked well. It is the magic part of the music.

– Fish and chips or roast dinner?

FERRER: Fish and chips.

SARE: Roast dinner.

FORTIÀ: Mediterranean food.

Book online for 5-6 April 2022 at Pizza Express Live.

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