Don Quixote | Li Lin and Hong Kong Ballet Dancers | Photographer: Conrad Dy-Liacco | Courtesy of Hong Kong Ballet
We could not be more thrilled that Hong Kong Ballet, Asia’s premier ballet company, is pirouetting, glissading and jetéing back into live performance starting 30 October 2020.
This new season is bursting with classics, including: Don Quixote (30 October 2020); The Nutcracker (18 December 2020); Artistic Director Septime Webre’s Ballet Classics for Children: Cinderella, featuring a stripped-down and narrated version of Prokofiev’s score (30 January 2021); Balanchine’s Jewels (21 May 2021); and Septime Webre’s new Romeo + Juliet, with the Hong Kong Sinfonietta on Prokofiev’s iconic score (18 June 2021).
In addition, Hong Kong Ballet will be running turn(it)out festival for two weeks at West Kowloon Cultural District’s Freespace, kicking off with an opening gala on 29 January 2021. The Vivaldi / Handel Project follows on 5 February 2021, along with a ton of interactive, family-friendly activities and events throughout the two weeks.
Artistic Director Septime Webre says that the central theme for the new season is, quite simply, love: “The word “love” infuses absolutely everything at Hong Kong Ballet: love of being a dance artist, and love for our amazing city, which has seen and experienced so much this past year. Love fuels the dedicated work we do, and drives the innovative ways we engage with the community. Love is not about getting – it’s about giving.” Well, we certainly cannot wait to celebrate this love for ballet in Hong Kong again.
Read Hong Kong Ballet’s new brochure and get booking.
How do you like your improv jazz? Completely mental? Then SWIM Collective is for you. It’s unusual for contemporary free jazz to feature a vocalist; three vocalists even moreso. But this is the ensemble’s strength and USP: a highly theatrical, human sound. An accompanying band of harp, keyboard, cello, percussion and electronics allows for a diverse range of expression.
Some of the vocal improvisation is straight out of the Toronto Blessings of the 1990s, a flurry of impassioned tongues, over dissonant spreads of expressionist harp and piano cluster-chords. Sometimes the singers merely coo gently; sometimes they are silent.
One of the most fascinating things about these through-composed, non-repeating, freely improvised pieces, is how the style slowly (sometimes imperceptibly) weaves in and out of free-rhythm effects and anchored, rhythmic, tonal grooves. The whole ensemble are really listening to each other and giving each other space, never trying to dominate the sound. Sometimes this leads to moments of complete silence.
Audience participation is highly encouraged. Everyone is given some tissue paper, and a lucky few are given some spoons. Being conducted in and out, at different volume levels, the sound of paper rustling and spoons clinking en masse is quite mesmerising, and the chance to be involved feels pretty special.
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It’s hard to put into words how impressive and special this weekly jazz night is at this tiny live music venue near the party district around Central. Tjoe Man Cheung is a young jazz guitarist of exceptional skill, who, despite his unassuming demeanour, is clearly an excellent bandleader too. Moreover, he seems to know every dynamite musician in Hong Kong, so his “jam session” ends up being of a ridiculously high standard.
NTBM stands for “Not To Be Missed”, and this is apt. The actual “house band” line-up might be slightly different each Sunday evening, but whoever you get, you can be sure of a few pre-rehearsed tunes of outstanding quality, hovering around contemporary jazz-funk, to suit Tjoe’s guitar.
But the star attraction is the jam. Musician after musician, every audience member who joins the action is unique and phenomenal. There doesn’t appear to be any sheet music, even for the niche and complex numbers: just a quick murmur amongst themselves of the title and the key, and away they go, sounding tighter than a lot of pro bands. How is this possible? You may find a Japanese tap-dancer joins in with an improvised solo worthy of its own Broadway show, or an avant-garde vocalist improvises disquietingly around a classic, or a drummer changes tack and rocks out on a melodica (à la Jacob Collier).
Audience participation is very much encouraged. A couple of singers get up who are not first-rate, but relish the opportunity to perform. Little percussion instruments get passed around. It’s a steal at $100 HKD entry; although this entry fee is waived for latecomers who miss the main show. The bar is outrageously expensive (think $75 HKD for a Diet Coke) but still NTBM.
Check out all the live music at Peel Fresco online.
What a week for queer theatre that’s full of joy with a feminist bent! Acclaimed Drag King troupe BOYZ are heading up a Drag King Club Night at Bethnal Green Working Men’s Club, featuring the well-known stars Johnny Rubber, Wesley Dykes, Fanta Le Mon, and many others.
Sending up the nineties (and noughties) boy band invasion, BOYZ promise: “sweet, sweet tunes, and moves, from your fave decade”. Nostalgia. What absolutely categorises BOYZ‘ drag is its joy, silliness, and inclusivity. It’s a real party, and everyone’s invited.
There is, of course, a political edge. RuPaul’s Drag Race is now fully mainstream, and the bitchy, diva drag queen is now a little passé. Meanwhile, a drag king revolution has been kicked off in London in the past few years by the likes of BOYZ and Pecs: The Drag King Collective.
The show, starring BOYZ and special guests, runs 9pm-10:30pm (doors at 8pm). BOYZ‘ shows are always extremely popular, and seats are unreserved, so get there early to bag a table and a drink. After the show, keep the party going with DJing into the wee hours.
Book online now and save 30% on tickets!