Author: theprickle

REFLECTIONS | London, Anna Steinhouse Fine Art Gallery

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Following a diverse showcase of work at the International Biennale of Alentejo in Portugal, International Contemporary Artist Group (ICAG) is back with their London debut exhibition: “Reflections” at Anna Steinhouse Fine Art Gallery, Primrose Hill, from Saturday the 16th to Sunday the 24th of September, 2023.

Showcasing pieces including painting, drawing, photography, and multimedia, “Reflections” explores each artist’s personal connection with nature, as well as the intricate threads that connect us to our environment.  30% of proceeds from sales are being donated to ICAG’s partner, prominent environmental charity “Client Earth”.

From the detailed work of Nazira Bibi, which uses techniques gleaned from Indian Miniature painting and Islamic geometry, to the sensitive abstract paintings of Vivi Ximenes, this exhibition confidently explores the power of nature as a refuge and point of reflection for humanity, while underscoring its growing fragility, as a resource requiring ever more careful stewardship.

Lucille Dweck’s “Wonder in the Water” transports us to a magical moment of serene contemplation, where a woman in a leopard-print bikini becomes enmeshed in the shimmering light that surrounds her.  Across Dweck’s work, a rich colour palette and mesmerising mark-making invites viewers to reflect on the magical quality of moments in nature.

Karen Wood’s “Ocean Reflections” captures the complex interplay between man-made structures and the unbounded fluidity of water, through the joyful mix of abstracted geometric shapes and industrial colour.

There’s something for just about everyone, including works absorbed in moments of natural serenity like Anna Steinhouse’s “Immersion” — or works that interrogate the nature of perception itself through sculptural multimedia techniques, like Martina Lang’s “Fantom Blues”.

“Reflections” at the Anna Steinhouse Fine Art Gallery is a celebration of art, nature, and the power of global collaboration.  Don’t miss the opportunity to explore the profound works of these international artists, all while supporting the important environmental initiatives of Client Earth.  Purchase a piece of art, and contribute to a brighter, more sustainable future for our planet.  Visit the gallery in Primrose Hill, and let “Reflections” inspire your own connection with the world around you.

For a full list of artists – see below:

Andrea Sargeant is a contemporary Anglo-Italian watercolourist known for her sensory atmospheric watercolours and Romantic dreamscapes, inspired by the peace and harmony of natural habitats.

Anna Steinhouse-Kandelaki is a London-based artist born in Georgia. She focuses on portraiture, individual life stories, and compositions with the figure in space.

Francesca Arcidiaco, originally from Sicily, explores Western and Japanese aesthetics in her meditative portraits, bridging cultures through her art.

Karen Wood draws inspiration from industrial color, geometric shapes, and lines. Her work captures hidden spaces within structures and in this exhibition explores the relationship between land and water.

Lucille Dweck creates images of the natural world, reflecting the magical, spiritual aspect of being immersed in nature. Her paintings have been described as ‘romantic’ and full of love for nature – though figurative they simultaneously show the marks and brushstrokes used.

Martina Lang explores tactile shapes through light and shade. Her work challenges viewers’ perception, questioning gravity and dimensions within the frame.

Nelson Ferreira specializes in combining classical technique and contemporary materials. His art captures the spirit of the sitter and aims to soothe and provoke contemplation.

Sara Taukolonga draws inspiration from classical drawing and painting techniques. Her artwork explores local people and events, creating emotive narratives.

Vivi Ximenes creates a visual dialogue through abstract painting, exploring imperfect beauty and connecting with the subconscious.

Nazira Bibi‘s work is inspired by Islamic geometric art, combining traditional materials and techniques to explore the underlying order in patterns and nature.

“Reflections” runs at Anna Steinhouse Fine Art Studio 16 – 24 September 2023.

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INTERVIEW: DANIEL RAGGETT | London, Accidental Death of an Anarchist

Interview

Daniel Raggett explains his process for directing this new adaptation of Dario Fo’s comedy, Accidental Death of an Anarchist (1970), and how a 200-seat studio theatre production came to find a new audience on the West End.

– Congratulations on the West End transfer for Accidental Death of an Anarchist. How does it feel to have a show on the West End at this stage in your career?

This is a show that started off in a 200-seat studio theatre in Sheffield, and originally there were no plans beyond that. The most important thing about the West End run is that the show can be seen by more people. It is a piece of work I’m very proud of because it feels unique – a comedy that carries an important message at its heart – and clearly the fact it has returned for a third time means that people are responding to it.

– Accidental Death of an Anarchist is an Italian play from 1970, based on the true story of how a suspect in the 1969 Milan Piazza Fontana bombing fell to his death from a fourth-floor window of a police station during an interrogation. How can such a play make sense to an English-speaking, London audience, over fifty years later?

Crucially, there is a real case at the heart of the play: Dario Fo used the actual transcripts from the real event. But he was adamant that when productions were remounted, details should be adapted to reflect similar contemporary abuses – so that it speaks to the society outside the walls of the theatre, and the world in which the audience are watching the play. Dario Fo gave his personal blessing to Tom Basden’s adaptation before he died, because it does exactly this. Now, with the evidence of the Casey report, the relevance has only increased.

– Can you describe your directing style in a few sentences?

I don’t believe in a hierarchy. I think actors are a director’s greatest tool, and you’re only as good as the people you surround yourself with, and that includes lighting, sound, and set. I’d also say my style is quite eclectic. I try to find the best process for that particular production, rather than having one process that fits everything.

– Some people say politics shouldn’t be theatrical, and theatre shouldn’t be political. What do you say?

From my point of view, politics is inherently theatrical – you just have to look at the Prime Minister’s Questions to see how much grandstanding and audience participation there is. More importantly, I’d argue that everything is political, including theatre. With this particular show, it isn’t our intention to lecture an audience but rather to convey a message. You may not even notice because you’re laughing so much – but, if we’ve done it right, it’ll stay with you.

Playing at the Theatre Royal Haymarket 12 June – 9 September 2023.

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CABARET | London, Kit Kat Club

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Well, isn’t this exciting! “Wilkommen” and “Bienvenue” to Jake Shears and Rebecca Lucy Taylor aka Self Esteem, who will play the roles of The Emcee and Sally Bowles in Cabaret at the Kit Kat Club from Monday 25 September 2023.

Singer, songwriter, actor and writer Jake Shears is best known as the lead singer of the multiplatinum-selling, Grammy-nominated, Brit award-winning glam rock band Scissor Sisters. The band’s hits include ‘Comfortably Numb’, ‘Take Your Mama’, ‘Let’s Have A Kiki’ and the UK number one hit ‘I Don’t Feel Like Dancing’.  As Self Esteem, Rebecca Lucy Taylor won BBC Introducing’s 2022 Artist Of The Year award, and her album Prioritise Pleasure (2021) was crowned both The Guardian and Sunday Times Culture’s Album of the Year.

Also joining the company on 25 September are Wilf Scolding as Ernst Ludwig, Jessica Kirton as Fraulein Kost/Fritzie, Liv Alexander as Texas, Natalie Chua as Frenchie, Taite-Elliot Drew as Hans, Damon Gould as Victor, El Haq Latief as Helga, and Travis Ross as Bobby, joining Laura Delany as Rosie, Grant Neal as Herman/Max and Hicaro Nicolai as Lulu. The cast is completed by Rebecca Lisewski, Ela Lisondra, Nic Myers, Andy Rees, Toby Turpin and Patrick Wilden.

This unique production of Cabaret opened in December 2021 to critical and audience acclaim, widely praised as the ultimate theatrical experience. In April 2022 the production won a record-breaking seven Olivier Awards, the most for any musical revival in Olivier history. The production has also won three prestigious Critics Circle Awards as well as the Evening Standard Theatre Award for Best Design for designer Tom Scutt.  Transforming one of London’s most famous theatres with an in-the-round auditorium and reimagined spaces, before the show guests are invited to enjoy and explore the Kit Kat Club with pre-show entertainment, drinks and dining all on offer.

The new cast joins the Kit Kat Club from Monday 25 September 2023.

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INTERVIEW: MIRIAM BATTYE | Edinburgh, Roundabout @ Summerhall

Interview

Manchester-based writer Miriam Battye (HBO’s Succession) explains the deeply personal origins of her latest work, Strategic Love Play (2023), running at the Edinburgh Fringe and London’s Soho Theatre.

– How would you describe Strategic Love Play (2023)?

It’s all one scene, one first date, two strangers who met on their phones. It’s highly unlikely that it will work out. But actually, if you stare at it, it’s very high stakes. It’s maybe the most romantic thing I’ve ever written.

– What inspired you to write this type of love story?

I wanted to work out why we all feel so hard done by in dating, and where on earth we get the wild idea it’s supposed to be gorgeous and easy. Why should it be? We’re all trying to package a gorgeous version of ourselves, and we’re also trying to not try – to present ambivalence.

– How do you feel dating has changed since the introduction of dating apps?

I think apps provided an incredibly effective solution to something that is genuinely painfully difficult. But I wonder if, maybe, it isn’t supposed to be painless. You’ve put your face in everyone’s phone and asked them to want you. And given them the brief idea that it’s totally their choice. You are totally available for their choosing.

– How is the cast?

We have the most gorgeous, top-tier cast. I worked with Letty Thomas on Scenes with girls (Royal Court, 2020), and I love what she does on stage: she is genuinely original, hilarious and stunningly powerful. And Archie Backhouse is a proper revelation.

– What are you most looking forward to, bringing this show to the Edinburgh Fringe?

I love the Fringe, I go every year as a punter. Throughout my career, I’ve done big TV shows, had my work ripped apart, got over it – but nothing is really more intimidating than the Fringe to me. It’s just a lot of people who care a lot about theatre. I want to astound people, reach out and grab their attention before they go on to the next thing.

Book to see Strategic Love Story at the Edinburgh Fringe and London’s Soho Theatre.

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INTERVIEW: MARK WARTENBERG | Berlin, Germany

Interview

Berlin-based actor Mark Wartenberg is in the throes of a new challenge: recording a sonnet a day, and posting each video onto Instagram.  He explains his fascination with Shakespeare, and how he got the idea in the first place.

– How did you come up with this idea of doing a Shakespeare sonnet a day?

I think that doing a sonnet a day is quite a unique way of conveying the liveliness, nuances, inventiveness, and paradoxes of Shakespeare’s style. For instance, I imagine he dashed some lines off while obsessing over others. And I think that the daily attempt to perform each sonnet under limited preparation time also conveys what I imagine was Shakespeare’s interest in taking risks poetically.

– And you do every sonnet differently.

I try to mix things up a bit: different locations; different acting styles; different camera angles; depending on how I feel, and the energy of the sonnet. Sometimes the sonnets are sung, sometimes they are performed in an accent, et cetera.

– We have 154 published Shakespeare sonnets: isn’t it quite a challenge to knock a new one off every single day?

Each of my performances is necessarily imperfect. I mean, there might be a lack of diction; or I might forget or flub lines; there might be hazy intention and meaning; et cetera. But I believe that all hundred and fifty-four performances together will create a powerful work.

– You’re also not British.

My English is native-level, and sounds American, but I’m actually French-German-Indonesian.  But I think the fact that I’m not British adds an interesting dimension: Shakespeare didn’t talk in RP [received pronunciation], so departing from that might bring him closer to us.

– What fascinates you about Shakespeare, and particularly his sonnets?

It’s the imaginative breadth, depth and playfulness. How he seems to love contradictions and nuances, and yet his sonnets are very dramatic. They’re also, often, very silly. Shakespeare has such a bold way of creating images, breaking rules, and still following through on logic. And I love the cadence of his poetry: it creates these amazing variations in thought and emotion.

– What about Shakespeare the man? Are you equally fascinated by the historical Shakespeare?

Notoriously little is known about Shakespeare, which is perhaps why I find him so fascinating. He was living in a world so different from ours – Renaissance England – but he wrote verse that is incredibly vivid, still to this day.

Follow Mark Wartenberg on Instagram for recordings of all 154 of Shakespeare’s sonnets.

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INTERVIEW: KYLE RAMAR FREEMAN (A Strange Loop)

Interview

Broadway’s Kyle Ramar Freeman stars in the London production of Pulitzer Prize-winning musical A Strange Loop, playing at the Barbican 17 June – 9 September, 2023.

– Congratulations on landing the lead role in the Pulitzer Prize-winning musical, A Strange Loop. How does it feel?

It feels amazing, and full circle that I get to be in this moment with this show. I am forever grateful for the experience, and the opportunity to tell a story that is so authentically itself; that millions of people will be impacted by for the years to come.

– So, do you prefer performing on Broadway or the West End? Be honest.

I would only say I prefer Broadway because my family and friends have access to see me perform more there than they would in London.

– A Strange Loop is very critical of conservative American Christianity, particularly in regards to homophobia. But also, the musical touches on that feeling of being abandoned by God. As a Christian yourself, has it felt difficult to be part of this production?

No, it has not been difficult to be a part of this production in that regard. But I have felt that way in my own life. And coming from a community within church that feels like home to you – but also is a place that does not really love your true self – is a tricky thing to navigate. However, it’s important for the show to speak on an experience that does not often get to be put in the spotlight. Especially for a fat black gay person to tell it, in its raw form, as we get to do in A Strange Loop.

– What’s next for Kyle Ramar Freeman?

The revival of The Wiz on Broadway is what is next for me! I will be the Lion, and I am so thrilled to be a part of the history of that magnificent show. I could not be more thrilled to start that journey.

See Kyle Ramar Freeman live at the Barbican Theatre 17 June – 9 September 2023.

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PRIVATE LIVES | London, Ambassadors Theatre

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Noël Coward’s scintillating comic masterpiece Private Lives (1930) starring Nigel Havers and Patricia Hodge heads to the West End this Autumn, for a strictly limited 12-week run. The acclaimed Theatre Royal Bath production by award-winning director Christopher Luscombe premiered in 2021, prior to a UK tour in 2022.

Private Lives will be the first production to be staged in the now fully refurbished Ambassadors Theatre, following ATG’s multi-million-pound investment to improve facilities, customer experience, and access. The access improvement works carried out provide an access lift for the first time, the potential for 6 wheelchair spaces, accessible toilet facilities, and improved audio access to support the hearing impaired.

One of the UK’s most popular actors, Nigel Havers has been a favourite with audiences for nearly four decades. His roles on screen have encompassed Downton Abbey and Coronation Street, Chariots of Fire and The Charmer. Stage roles range from Art to Rebecca, to The Importance of Being Earnest at the National Theatre and becoming a mainstay of the annual pantomime at Theatre Royal Drury Lane.

One of our best-loved actresses, Olivier Award-winning Patricia Hodge OBE has starred in Travels With My Aunt, Relative Values, Calendar Girls, His Dark Materials, Noises Off and A Little Night Music. Her recent television credits include A Very English Scandal, Downton Abbey and Miranda.

Playing at the Ambassadors Theatre 31 August – 25 November 2023.

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INTERVIEW: ANTONY LAWRENCE (SHREK THE MUSICAL)

Interview

Antony Lawrence stars as Shrek in the 2023-2024 UK tour of Shrek the Musical.

– Tell me about the prosthetics.

It is going to be a real challenge. I previously did The Lion King where I had a full face of makeup, and I had to spend a lot of time in the mirror to work out how moving my face affected the appearance of that makeup. It’ll be very much the same with this – when I’ve had all the prosthetics on, I’ve looked at myself, and considered how I’ll make myself look friendly, or happy, or scared, or worried. So much of it is going to probably come through the voice.

– What about the costume?

During the rehearsals, I’ll want to be in the costume where possible, because it completely changes the physicality. Every time I’ve had the costume on, I figure out new ways to be in it, thinking about how Shrek would stand, which is completely different to me. You need the framework of the costume during the rehearsal period.

– What attracted you the role of Shrek?

It’s so clichéd to say that it’s a dream role, but it really is. I’m a character actor; I love complex characters that go on a big journey, and Shrek is very much like that. Shrek the Musical was actually the very first show I saw on Broadway: we went to New York for my sister’s eighteenth birthday, and because we loved Shrek so much as a film, we went to see the musical. I remember being so excited when it was coming over to London. I was at drama school at the time, and remember thinking, gosh, I’d love to play this role. Shrek’s song, ‘Who I’d Be’, is one I’ve used at so many auditions.

– How was the audition for this?

I knew ‘Who I’d Be’ very well, but I didn’t know the other songs. I never like to copy other actors’ performances, so I presented my own take on it. I really wanted to show that vulnerable side of the character, and they liked that. For me, the story of Shrek is about not needing to change who you are to fit in in the world, you just need to be yourself.

Playing at select theatres across the UK, 21 July 2023 – 21 April 2024.

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THE LORD OF THE RINGS | Newbury, Watermill Theatre

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Newbury’s The Watermill Theatre is thrilled to announce the full cast of their upcoming musical; a brand-new production of The Lord of the Rings, a musical tale based on the classic trilogy by J.R.R. Tolkien, with book and lyrics by Shaun McKenna and Matthew Warchus and music by A.R. Rahman (Bombay Dreams; Slumdog Millionaire), Värttinä, and Tony Award-winner Christopher Nightingale (Matilda the Musical).

This is the first production of the musical in the UK since the original 2007 West End show, which ran for just over a year, earning five Olivier nominations. It was one of the most expensive West End musicals ever produced, with a cast of fifty, in the enormous 2,200-seater Theatre Royal Drury Lane.

Here, at the 200-seater Watermill Theatre, the cast has been reduced to twenty. With the production set across both the Watermill auditorium and gardens, audiences will be immersed in the magical landscape of Middle-earth, joining an ensemble cast and large-scale puppets on an epic journey celebrating the power of friendship and common goodness to conquer unimaginable evil.

The Lord of the Rings will be directed by Paul Hart with design by Simon Kenny, Musical Supervision and Orchestrations by Mark Aspinall, Choreography by Anjali Mehra, Lighting Design by Rory Beaton, Sound Design by Adam Fisher, Projection Design by George Reeve, Associate Directed by Sibylla Archdale Kalid, Puppet Design by Charlie Tymms, and Puppetry Direction by Ashleigh Cheadle. The stage management team are Cat Pewsey (CSM), Katie Newton (DSM), Natalie Toney and Fern Bamber (ASMs) with Leila Stephenson (ASM Placement).

Playing at the Watermill Theatre 25 July – 15 October 2023.

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INTERVIEW: TOM FOWLER (Hope has a Happy Meal)

Interview

Tom Fowler is the writer of Hope has a Happy Meal, directed by Royal Court Associate Director Lucy Morrison, and playing at the Jerwood Theatre Upstairs, 3 June – 8 July 2023.

– Please describe your new play, Hope has a Happy Meal.

It is a magical realist fairy tale, about a woman called Hope, returning to the People’s Republic of Koka Kola, to find the family she left behind twenty-four years ago. I came up with the title and premise in 2016: at the time, Britain had recently voted to leave the EU, Donald Trump had just been elected president of the US – I heard a lot of people talk about hope as if it had just disappeared overnight.

– Is this a… ‘hopeful’ play?

I want to show ‘hope’ as beautiful and powerful, but unreliable. It can lift you up, but then tear you down just as easily. I would say the play is firmly rooted in now, but by it being set in the People’s Republic of Koka Kola, rather than Britain, there’s a detachment that hopefully makes it feel a little more universal.

– How have rehearsals been?

Rehearsals have been great. Lucy Morrison, who’s directing, has been reading and noting drafts of the play since the very beginning of the process, and also directed the short piece I wrote for the Royal Court’s Living Newspaper project, so there’s lots of trust there. Plus the cast and creative team are all brilliant – I feel very lucky.

– What does it mean to you to have your play on at the Royal Court?

Since learning about the Royal Court, and discovering some of the incredible writers and plays that started here, having my first professional production be here has always been a goal. So yeah, it’s amazing and I’m very excited to finally share the play.

Playing at the Royal Court in London, 3 June – 8 July 2023.

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