London

INTERVIEW: JAMAAL FIELDS-GREEN (MJ the Musical)

Interview

New York’s Jamaal Fields-Green took over the role of Michael Jackson in the smash hit London production of MJ the Musical 14 January, 2025.

— You’ve played Michael Jackson in MJ the Musical on Broadway, on the US national tour, and now on the West End. Does it feel different performing in London? Or is it really just the same as performing the show anywhere?

I’d say it’s a bit of both. There are actually slight differences in blocking across the companies. Thankfully, audiences all over the world have the same reaction to the show — the love and enjoyment is always there. But where London differs is the reservation the audience has during the show: it’s different from what I’m used to, but I like it. It allows us in the company to further engulf ourselves into the world we’re creating.

— What drew you to this particular role?

It’s Michael Jackson! Honestly, this role allows me to really exercise the ability to be a triple threat. I have to sing, act, and dance at a high level. Getting the chance to do that, while also leading a show, was an opportunity I couldn’t miss out on.

— What are the challenges of performing this show in London, versus performing in New York, or the rest of America? What do you miss?

Really, I would say just the location and the culture… being in a new country. It didn’t take me long to get used to the reserved audiences. Getting to stay in one spot is nice. I hadn’t had that in a while. Other than that, everything else is about the same.

— What’s next for Jamaal Fields-Green?

The world! I have a lot of plans and goals set for myself while I’m here in London. I want to do a play while I’m here, after my time with MJ is over. Between acting, singing and dancing, acting has always been the one I’ve felt most at home with. I have a lot of music on the way — I release music under the name “J. Hasan“. I recently started working on my newest short film, and we’re aiming to shoot it this summer. TV and film is another big thing I’ve been chasing for a while. Overall, I’m looking to grow was an artist, and further cement myself as a force in the industry.

MJ the Musical is playing at the Prince Edward Theatre 6 March 2024 – 13 September 2025.

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ALEXANDRA PALACE FIREWORKS FESTIVAL | London, Ally Pally

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Remember, remember, Tuesday the fifth of November… But every Londoner knows that the real celebration happens the weekend before (Fri 1 Nov — Sat 2 Nov 2024), at Alexandra Palace Fireworks Festival. Lighting up Ally Pally’s iconic view of the capital’s skyline, and taking over the 196 acres of parkland, London’s biggest and best fireworks display will this year be preceded by a spectacular drone show, marking an exciting first for the venue.

Alongside the legendary display, the festival also presents big top Cafe De Pally, which includes a plethora of live music and singalongs aided by a brass band, and choir. Some of London’s best street food, cocktail and craft beer vendors make up the StrEATlife Festival Village, soundtracked by funk-fuelled, comedy duo The Cuban Brothers (Fri 1 Nov), and by UK garage legends Artful Dodger (Sat 2 Nov).

As part of the festivities, the UK’s largest German bier festival returns to the Palace’s Great Hall, with oompah bands, live music, and lederhosen aplenty. Oasis tribute act, Definitely Mightbe (Fri 1 Nov) and Abba Revival (Sat 2 Nov) take to the stage, with more DJs to be announced.

The Park will also play host to a huge bonfire, funfair and entertainment for all the family, and visitors can also step inside the Palace, with the ice rink featuring a variety of skating sessions and an ice disco.

Book online for all activities Friday 1 November and Saturday 2 November 2024.

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TALK: BURGEONING ART SCENE IN BANGLADESH | London, Revolution Gallery

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The newly opened Revolution Gallery in Central London is a groundbreaking art venue, the first in the UK dedicated to representing the very best artists from Bangladesh. This includes legendary figures such as Zainul Abedin, Rashid Choudhury, and Quamrul Hassan — as well as new talents like Rakib Alam Shanto — bridging the gap between traditional and modern Bangladeshi art.

Revolution Gallery is hosting a talk on the bourgeoning art scene in Bangladesh, Wednesday 10 July, 6:30pm, offering attendees a unique glimpse into the vibrant art culture of Bangladesh.

Tasleema Alam and Nelson Ferreira, both renowned artists, recently returned from Bangladesh where they served as visiting lecturers in Fine Arts at Dhaka University. Their experiences have provided them with firsthand insight into the burgeoning talent emerging from this culturally rich nation. They will be sharing their observations and experiences during the talk, shedding light on the current explosion of artistic talent in Bangladesh.

Tasleema Alam, a distinguished expert in Islamic Art and the owner of Traditional Ateliers, has an impressive portfolio of collaborations with prestigious institutions like Turquoise Mountain, ITHRA and South Bank. She is the first Bangladeshi female artist to collaborate on Royal Commissions for HM King Charles III, in honour of his coronation, further underlining her esteemed status in the art community.

Nelson Ferreira (another Royal Commissioned artist) is known for his mastery in classical drawing and painting techniques; he is a visiting lecturer at several universities and art museums globally. His expertise is further recognized by his teaching engagements: including teaching Walt Disney and ILM artists. Since 2022 alone, his artworks have been seen by about 300,000 people at exhibitions in UK, Portugal, Italy, Nepal, Saudi Arabia and Bangladesh.

This talk presents a rare opportunity for art enthusiasts, collectors, and academics to gain insight into the evolving landscape of Bangladeshi art and to engage with two insightful voices in the field. Attendees will have the chance to explore the Revolution Gallery’s collection and witness the confluence of heritage and innovation that discerns Bangladeshi art as a rising tiger within the umbrella of South Asia.

Date: Wednesday, 10 July 2024
Time: 6:30 PM
Location: Revolution Gallery, 12a Little Portland St, London, W1W 8BJ (Oxford Circus)

Follow Revolution Gallery online and on Instagram. 

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CHASING THE REAL: ITALIAN NEOREALISM | London, BFI Southbank

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The new season at London’s BFI Southbank is on Italian Neorealism, including some rarely screened films. This two-month season features the different formal approaches taken by seven directors who made reality into a spectacle. The season includes twenty titles, from rarely shown gems to seminal works.

Highlights include Rome, Open City (1945), Four Steps in the Clouds (1942), and Shoeshine (1946), where season curator Giulia Saccogna will be giving introductions to the screenings. Christina Newland and academics Professor Richard Dyer and Professor Stephen Gundle will join Saccogna for “Journey Through Italian Neorealism”, offering new perspectives on this influential movement in cinema history.

BFI members can also join a six-session course exploring the portrayal of reality in Italian neorealist film, entitled “City Lit at the BFI: Italian Neorealism – The Cinema of Everyday Life”.

This decisive decade is ripe for rediscovery; it’s been 80 years since Rossellini started work on Rome, Open City (1945) and 70 years since the ‘official’ end of the movement, yet it remains relevant to our current times in its ability to teach us the importance of freedom and to reinforce our capacity for compassion.

LISTINGS:

Rome, Open City (1945)
A foundational Italian neorealist film and a dramatic portrait of a city under occupation.

Four Steps in the Clouds (1942)
A rural interlude for a city employee turns into an idyllic interruption to the monotony of his life, in one of the first films to display neorealist traits.

The Children Are Watching Us (1944)
Family, betrayal and alienation: a masterpiece ahead of its time.

Ossessione (1943)
Emerging from the tumultuous climate of Italy in 1943, Luchino Visconti’s sensational debut wipes out years of fascist rhetoric with its bitter, transgressive realism and radical sexuality.

Paisà (1946)
The second part of Rossellini’s revered war trilogy is a key milestone of Italian neorealism which reveals a truthful simplicity in six searing tales.

Germany, Year Zero (1948)
The final part of Rossellini’s war trilogy divided audiences at the time, while Chaplin called it “the most beautiful Italian film” he’d ever seen.

Shoeshine (1946)
Distinctly compassionate and humane, De Sica’s foundational neorealist drama was the first ever winner of the Oscar for Best Foreign Language Film.

A Tragic Hunt (aka The Tragic Pursuit) (1947)
A little-seen gem, set in the chaos of post-war Italy, by one of the crucial voices in the development of neorealism.

The Bandit (1946)
The trauma of the Second World War is explored in one of the treasures of Italian cinema.

Bicycle Thieves (1948)
The Oscar-winning drama that represents post-war Italy more vividly than any other.

La terra trema (1948)
Visconti’s social conscience, impacted by war, prompted this strikingly beautiful portrayal of the unjust humiliation of workers in southern Italy.

The Mill on the Po (1949)
Alberto Lattuada achieves a starkly poetic grandness with this variation on the themes of neorealism, set during the historic revolts in the Po Valley.

Bitter Rice (1949)
Nominated for an Academy Award and harshly condemned by the church, this drama attracted international acclaim and success, rightfully earning its place in the history of neorealist cinema.

Book for all events across May and June 2024 on the BFI website.

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INTERVIEW: TOBIAS TURLEY (MAMMA MIA!) | London, Novello Theatre

Interview

Tobias Turley is the winner of ITV’s MAMMA MIA! I Have a Dream, a British television talent competition documenting the search for two new, unknown musical theatre performers for Mamma Mia! in the West End.

— Congratulations on winning ITV’s MAMMA MIA! I Have a Dream, with a prize that money can’t buy: joining the West End cast as Sky. How are you feeling?

I’m feeling great, thank you, I’m having such a blast in this show. It’s such an incredible feeling seeing so many months of hard work pay off and come to fruition. We started filming the TV show over a year ago now, so it’s very odd to see myself in the position I am currently in, but I am loving every second.

— Since opening in 1999, Mamma Mia! has gone on to be one of the most successful musicals in the whole world.  For you, what makes it so popular and so enduring?

This show is built on a foundation of incredible music. ABBA is timeless and beloved all over the world, so that’s a great start. But also it has a great script, incredible production design and amazing choreography. It’s a good mixture all round.

— Tell us about your character, Sky.

Sky is a charming, bubbly island boy. Who is head over heels for Sophie, but not completely sold on the idea of marriage just yet. He loves adventuring on the island, diving, surfing, very typical island behaviour. He’s very level headed, calm and collected but also incredibly light hearted. He’s a good egg.

— Anything else exciting in the pipeline?

The future is looking very exciting and I’m taking everything as it comes.  Being part of the show’s 25th anniversary celebration, with Björn Ulvaeus joining us on stage, was so special; the same anniversary of ABBA winning Eurovision with “Waterloo”, 50 years ago. I feel so incredibly lucky to be in the position I am in.

Tobias Turley is now performing in the West End production of Mamma Mia!, playing eight shows a week.

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MAMMA MIA! 25th anniversary | London, Novello Theatre

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On Saturday 6 April 2024, the original production of MAMMA MIA! celebrated its 25th anniversary, making it only the third musical in the history of the West End, to reach its Silver Jubilee.

Since premiering in London’s West End in 1999, the exhilarating smash-hit has become a global phenomenon, with a staggering 70 million people having seen it worldwide.

There was quite a celebration on Saturday night. On stage at the Novello Theatre, the cast were joined by Björn Ulvaeus from ABBA, Judy Craymer (creator and producer), Catherine Johnson (book writer), Anthony van Laast (choreographer), as well as original cast members Siobhan McCarthy (original Donna) and Lisa Stokke (original Sophie).

The party continued afterwards at the Palm Court in the Waldorf Hilton.

Playing at the Novello Theatre in London, 8 shows a week.

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LIFT FESTIVAL 2024 | London, multiple venues

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LIFT, London’s bi-annual international festival of theatre, brings joyful, daring and unforgettable theatre from around the world to London, using the whole of the city as the stage.  Every two years, LIFT presents a festival full of bold and relevant culture, international perspectives, and thought-provoking performances. The festival’s adventurous-ness is theatrical yeast (The Guardian, 2018), meaning LIFT has done more to influence the growth and adventure of English theatre than any other organisation (Mark Rylance).  Whether it’s a much-loved venue, iconic landmark or unsung corner of London, LIFT gathers Londoners around incredible art.

LIFT’s mission is to create powerful, invigorating experiences that: challenge artistic, political and social conventions; champion artist advancement at home and abroad; lead sustainable internationalism; celebrate and connect London to the world.  This year is no different, with eight exciting shows happening all over London throughout the months of June and July 2024.

LISTINGS

The Land Acknowledgement or As You Like It – London premiere
Southbank Centre- Purcell Room at Queen Elizabeth Hall
5 – 7 June, 8pm
8 – 9 June, 3pm

Democracy From Where I Stand
The Dutch Church, City of London
8 June, 7pm

Bat Night Market – World Premiere
Science Gallery London
11 June – 14 June, 7pm & 15 June, 2pm
BSL performance 15 June

L’Homme Rare – UK Premiere
Southbank Centre: Queen Elizabeth Hall
12 – 13 June, 7.30pm
Post show talk: 12 June
Audio Description available: 13 June

The Trials and Passions of Unfamous Women – World Premiere
Brixton House
14 June – 22 June 19:30
19 & 22 June 2pm
Press night: 17 June

Bacchae: Prelude to a Purge – UK Premiere
Sadler’s Wells Theatre
18 June – 19 June, 19:30
Post show talk: Tuesday 18 June

L’Animale – UK Premiere
Old Bailey, City of London
22 – 23 June 2pm & 4pm

ECHO (Every Cold-Hearted Oxygen) – World Premiere
The Royal Court Theatre
13 July – 27 July 6.30pm/7pm/7:30pm
Matinee performances: Sat 20 July & 27 July, 1.30 & Thurs 25 July, 2.30
Press night: 17 July 7:00pm
Post show talk: 18 July
Captioned and Relaxed Performances – 18 July, 7:30pm & 27 July, 1:30pm

Book now for all eight shows at LIFT’s website, playing 5 June – 27 July 2024.

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COOL RIDER | London, Palladium

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TuckShop, in association with Christopher D. Clegg and James DP Drury, has today announced additional casting of their reunion concert of Cool Rider at the London Palladium on Sunday 14 April at 7pm.  This loving, unofficial parody of the ill-fated movie Grease 2 (1982) had a surprisingly successful run in the West End in 2014, originally conceived and co-produced by Christopher D. Clegg and James DP Drury.

For this one-night-only concert performance, West End stars Aaron Sidwell (Lord of the Rings; Wicked) and Ashleigh Gray (Wicked; Only Fools and Horses The Musical) will reunite and reprise the lead roles of Michael Carrington and Stephanie Zinone.  RuPaul’s Drag Race UK star Kitty Scott-Claus (Death Drop) takes on the role of ‘The French One’, while Grease 2 star Maxwell Caulfield (the original Michael Carrington) joins the faculty as Mr. Stuart.  An ensemble of West End talent joins them; some reprising their roles from the original West End run, and some from the musical’s crowd-funded Original Studio Cast Recording.

The cult film told the heady and daring love story of two unlikely lovers and their road to romance from bowling alley to burger joint, sing-along-a-sex education class to talent show, and long (beautifully lit) romantic motorcycle rides to a slightly incongruous ‘luau’ ending. Much like its musical prequel, the story follows the ancient High School motto: if you want the guy/girl, change your personality beyond recognition and wear overly tight leather in the finale.

From the company who brought you Death Drop; Miz Cracker in Who’s Holiday; GALS ALOUD and sell out drag pantos at the Harold Pinter, Trafalgar, and Phoenix theatres, the concert will be directed by Christopher D. Clegg, musical direction and orchestrations by Lee Freeman, choreography by Matt Krzan, original direction by Guy Unsworth, lighting design by Toby Darvill, costumes by Ryan Webster, and sound design by Will Thompson.Cool Rider was originally conceived and co-produced by Christopher D. Clegg and James DP Drury.

Playing at the London Palladium for one night only: Sunday, 14 April 2024, 7pm.

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HADESTOWN | London, Lyric Theatre

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The multi award-winning musical Hadestown will open at the Lyric Theatre, London, with performances from Saturday 10 February 2024. Following its sold-out run at the National Theatre in 2018, Hadestown won 8 Tony® Awards on Broadway in 2019, including ‘Best Musical’.  Blending modern American folk music with New Orleans-inspired jazz, the Original Broadway Cast Recording of Hadestown won the 2020 Grammy Award® for ‘Best Musical Theatre Album’.

Hadestown takes you on an unforgettable journey to the underworld and back, intertwining two mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone. Hadestown features music, lyrics, and book by acclaimed Grammy®-winning singer-songwriter and BBC Radio 2 Folk Award-winner Anaïs Mitchell, who originated Hadestown as an indie theatre project and acclaimed album. Mitchell then transformed the show into a genre-defying new musical alongside artistic collaborator and Tony® Award-winning director Rachel Chavkin.

The West End cast will include Dónal Finn (Orpheus), Grace Hodgett Young (Eurydice), Grammy® Award-winner Zachary James (Hades), Melanie La Barrie (Hermes), and Gloria Onitiri (Persephone). Bella Brown, Madeline Charlemagne, and Allie Daniel will play the Fates.  Lauren Azania, Tiago Dhondt Bamberger, Beth Hinton-Lever, Waylon Jacobs, and Christopher Short will play the Workers.  Lucinda Buckley, Ryesha Higgs, Miriam Nyarko, and Simon Oskarsson are Swings. Casting for the London production is by Jacob Sparrow.

The Hadestown creative team features Obie Award® winner and Chita Rivera Award® winner David Neumann (choreography), Tony Award® winner Rachel Hauck (scenic design), four-time Tony® Award nominee Michael Krass (costume design), two-time Tony Award® winner Bradley King (lighting design), Tony® Award winners Nevin Steinberg and Jessica Paz (sound design), Liam Robinson (music supervision and vocal arrangements), Tony® Award winners Michael Chorney and Todd Sickafoose (arrangements and orchestrations), and Ken Cerniglia (dramaturgy).

Playing at the Lyric Theatre 10 February – 4 August 2024.

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I’M EVERY WOMAN: THE CHAKA KHAN MUSICAL | London, West End

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Finally, London is getting a Chaka Khan jukebox musical, chronicling the singer’s extraordinary life. So-called “jukebox” musicals can get a bad name, but there’s no denying that recent UK-born jukebox musicals about Tina Turner, Cher, and The Kinks are big business. This new Chaka Khan musical is set open somewhere on the West End in the autumn of 2024: beyond that, everything else is secret. Until now!

The Prickle had the great privilege of being invited to an industry-only staged reading of the work-in-progress in London, in the presence of Ms Khan herself. Obviously, between now and the real thing, any number of things could change, but let it be said that the work-in-progress is already looking killer. Choreography by Del Mak (a newcomer to musical theatre) is at its most explosive in “I Feel for You”, in an overwhelming sequence that features cameos from Stevie Wonder (Ashley Samuels) and Prince (Hassan Sharif).

But it’s not just the dance and direction (Racky Plews) that astounds. Musical supervisor Ian Oakley also deploys Chaka Khan’s extraordinary back catalogue in the most surprising ways, including a devastating performance of “Pack’d My Bags” by deserting husband Hassan Khan (Duane-Lamonte O’Garro), and an extremely creepy performance of “Like Sugar” by the spiritual embodiment of cocaine (Luke Friend): trust me, it works.

Less persuasive is the slightly reductive “meta” framing device of the whole musical itself being about the development of the Chaka Khan musical, and how difficult it is to find someone to play Chaka Khan. However, there’s definitely something exciting about the tried-and-tested trope of three different actresses portraying different stages of the iconic singer’s life, all to reunite at the end for a massive ensemble sing-along of the title track, “I’m Every Woman”.

It’s unclear how much is going to stay the same and how much is going to change over the next year, but audiences can be sure of a dynamite show: keep an eye out for when tickets go on sale and book early.

Sign up to the mailing list on the official website.

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