We could not be more thrilled that Hong Kong Ballet, Asia’s premier ballet company, is pirouetting, glissading and jetéing back into live performance starting 30 October 2020.
This new season is bursting with classics, including: Don Quixote (30 October 2020); The Nutcracker (18 December 2020); Prokofiev’s Cinderella (30 January 2021); Balanchine’s Jewels (21 May 2021); and Prokofiev’s Romeo and Juliet (18 June 2021), mostly back in the Hong Kong Cultural Centre.
In addition, Hong Kong Ballet will be running turn(it)out festival for two weeks at West Kowloon Cultural District’s Freespace, kicking off with an opening gala on 29 January 2021. The Vivaldi / Handel Project follows on 5 February 2021, along with a ton of interactive, family-friendly activities and events throughout the two weeks.
Artistic Director Septime Webre says that the central theme for the new season is, quite simply, love: “The word “love” infuses absolutely everything at Hong Kong Ballet: love of being a dance artist, and love for our amazing city, which has seen and experienced so much this past year. Love fuels the dedicated work we do, and drives the innovative ways we engage with the community. Love is not about getting – it’s about giving.” Well, we certainly cannot wait to celebrate this love for ballet in Hong Kong again.
Read Hong Kong Ballet’s new brochure and get booking.
This free, one-night micro-exhibition of ten photo prints is typical of Mihn 宀 Gallery’s edgy, pop-up art space. It’s Xin Li’s first ever solo-exibition, but the Norwegian photographer’s distinctive style belies her years. She describes the slightly comical still-lifes as “self-portraits”: despite being photographed years apart from each other, there is a cohesiveness to this collection, hung from a central circular rail like socks on a washing line.
It’s clear to see Xin Li returning to her Chinese heritage in “Sweet Tooth”, with traditional Chinese coins packed into a grey, unappetising plate of jelly in a darkened room. Elsewhere, fine china chopsticks, and a face mask covered in kids’ plastic gems, also show us a kitschy, Asian aesthetic.
Mihn 宀 Gallery was established just a year and a half ago in October 2018, but the exhibitions are clearly popular with Hong Kong’s artsy crowd. Their goal is to provide an accessible and autonomous platform for emerging artists to exhibit and sell their work. The name “Mihn” (宀) derives from Chinese Radical 40, signifying a “roof”.
The gallery itself works out of a small hipster night-club on the fourth floor of a building in Sheung Wan, with the DJ booth occupying slightly more space than the artist’s own work. Exhibitions are free, with a reasonably-priced bar open to all. ADSL by PABO (aka Julien Pradier) is coming up next week, promising some pop-art style, computer-generated offerings.
Follow Mihn 宀 Gallery on Instagram.
“We spent a really, really long time — much longer than any other show before — trying to work out the set design,” explains director Candice Caalsen, who is directing a cast of forty-two adults for the “Face Productions“ performances, and a cast of a hundred children aged 8-18 for the “Face Academy“ performances of this epic musical. “Of course, we didn’t want to make a boat, and then try and sink it. We’ve gone a bit more abstract.”
The five-time Tony award-winning 1997 Broadway musical approaches the historic tragedy of 1912 in a way completely different to the 1997 film. “We want to transport audiences to another era,” Caalsen explains. “It’s a real story, and all the characters are based on the real people who were on the Titanic, so every story you see is real. We definitely want people to go away feeling moved, and remembering such a historic tragedy.”
Both Face Academy and Face Productions rely on a cast of volunteers, but for the adult cast, at least, you can expect to see the lead roles played by trained professionals from all over the world, and all local Hong Kong talent.
There’s no live band (audiences will hear a fully customisable, “conducted” backing track with a bit of live keyboard), but both gigantic casts are going to blow the roof off in the ensemble numbers. Don’t miss the boat!
Book the “Face Academy” performances and the “Face Productions” performances online, playing 11 – 13 October 2019.
As one of the signature charity balls in town, the Hong Kong Ballet Ball boasts a history of 33 years. The funds raised on Tuesday 4 December 2018 will be used for Asia’s premier ballet company to continue staging inspiring productions, encouraging emerging choreographers, nurturing the next generation of audiences, as well as launching education and community outreach events.
The guest-list of more than 300 society figures and celebrities attended an evening of fine dining and fabulous entertainment. This Great Gatsby Gala took the guests back to the roaring twenties with its themed decorations and Art Deco chandeliers.
The stylish black-tie event featured mesmerising performances from Hong Kong Ballet’s upcoming production, Septime Webre’s The Great Gatsby, and a very special Christmas trees charity auction. In addition, guests bid on luxury items at the silent auction and danced the night away after the dinner, courtesy of a live jazz band.
In collaboration with Key Partner LANDMARK, three stunning Christmas trees elegantly decorated by world famous brands Balmain, Cartier and Jimmy Choo from the Ballet for All Christmas Tree Campaign were auctioned at the Ball. These trees will be reconstructed by the brands at the donors’ designated locations afterwards, further spreading the joy of sharing through families and corporations.
The proceeds of the charity auction will be used to support the staging of a Relaxed Performance customised for special needs audiences with autism or intellectual disabilities and their caregivers.
Hong Kong Ballet’s The Nutcracker opens Friday 14 December 2018.