Septime Webre is the artistic director of Hong Kong Ballet. He was kind enough to talk to us about Hong Kong Ballet’s new, upcoming production of The Nutcracker.
What made you decide it’s time for a new production of The Nutcracker?
The Nutcracker is a holiday tradition – the Christmas season just wouldn’t be the same without it! Our current production is almost ten years old, and it seemed like the right time for a make-over. The new production is set in early twentieth century Hong Kong, and is a celebration of Hong Kong’s culture, history and natural beauty – I think it will resonate with Hong Kong people.
What about all those audiences who still love the old production of The Nutcracker?
The essence of the previous production is to be found in the majestic Tchaikovsky score, and that remains intact. In fact, the music is the heart of The Nutcracker, and this new production provides the roadmap: it’s very much a return to the original ballet’s concepts, a charming story of a young girl’s marvellous journey to magical new lands.
What have been your major aims for Hong Kong Ballet, since taking on the role of artistic director in 2017?
We have long been one of Asia’s premier ballet companies—our goal is also to be its most forward-looking, with a focus on being cherished locally and respected globally. We’ve endeavoured to reflect Hong Kong more thoroughly, while simultaneously raising the classical standards of the company. And we’re achieving our goals!
What’s next for Hong Kong Ballet?
So much exciting new work! A major residency at M+, Hong Kong’s new signature contemporary art museum; the return of Yuri Ng’s lively Ballet Classics for Children: Swan Lake; a mixed bill which celebrates the rule-breakers of ballet; a new full-length ballet about the life of Coco Chanel, and more!
Playing 11 – 26 December 2021 at the Hong Kong Cultural Centre Grand Theatre.
The Prickle 