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IN AND OUT OF LOVE | London, Hope Theatre

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Cockfosters (2023) was glorious fun at the Turbine Theatre, a venue which has sadly announced its premature closing after a difficult five years. But as one door closes, another opens, at the Hope Theatre in Highbury and Islington: In and Out of Love (2024), a new comedy two-hander, from the same writer-producer team of Tom Woffenden and Ana Emdin (plus designer Gareth Rowntree). It’s about a couple who go on holiday, after having broken up — with hilarious and disastrous consequences.

“It is funny, and it is a comedy,” explains director Saul Boyer, who also played the lead in Cockfosters during the 2024 run. “But I think what’s brilliant about the script is that it’s also unexpectedly moving. I’ve been enjoying rehearsals so much with this wonderful cast, because the couple’s relationship is so relatable.  It’s impossible not to see yourself reflected in their behaviour.  I can’t wait for audiences to see it.”

In and Out of Love stars Olivia Bernstone (ITV’s Finding Alice; Channel 4’s Humans) and Robert Kot (Frost/Nixon; Richard III). The play is written by Tom Woffenden, directed by Saul Boyer, and produced by Ana Emdin. Set design is by Gareth Rowntree, with lighting design by Ben Sayers and music by Arthur Sawbridge.

Welcome to Venice. One of the most romantic cities in the world. Well, unless you’re Sam (Robert Kot) and Ingrid (Olivia Bernstone). After booking the trip months ago, the couple arrive for their holiday together. Except they’re not together; they’ve broken up — and they’ve gone anyway.  In and Out of Love follows the unpredictable, beautiful and complicated journey love takes us on, in good times and in bad, for better or worse, till death do us part.  It’s going to be a long weekend.

Playing at the Hope Theatre, 22 – 26 October, 2024.

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ALEXANDRA PALACE FIREWORKS FESTIVAL | London, Ally Pally

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Remember, remember, Tuesday the fifth of November… But every Londoner knows that the real celebration happens the weekend before (Fri 1 Nov — Sat 2 Nov 2024), at Alexandra Palace Fireworks Festival. Lighting up Ally Pally’s iconic view of the capital’s skyline, and taking over the 196 acres of parkland, London’s biggest and best fireworks display will this year be preceded by a spectacular drone show, marking an exciting first for the venue.

Alongside the legendary display, the festival also presents big top Cafe De Pally, which includes a plethora of live music and singalongs aided by a brass band, and choir. Some of London’s best street food, cocktail and craft beer vendors make up the StrEATlife Festival Village, soundtracked by funk-fuelled, comedy duo The Cuban Brothers (Fri 1 Nov), and by UK garage legends Artful Dodger (Sat 2 Nov).

As part of the festivities, the UK’s largest German bier festival returns to the Palace’s Great Hall, with oompah bands, live music, and lederhosen aplenty. Oasis tribute act, Definitely Mightbe (Fri 1 Nov) and Abba Revival (Sat 2 Nov) take to the stage, with more DJs to be announced.

The Park will also play host to a huge bonfire, funfair and entertainment for all the family, and visitors can also step inside the Palace, with the ice rink featuring a variety of skating sessions and an ice disco.

Book online for all activities Friday 1 November and Saturday 2 November 2024.

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TALK: BURGEONING ART SCENE IN BANGLADESH | London, Revolution Gallery

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The newly opened Revolution Gallery in Central London is a groundbreaking art venue, the first in the UK dedicated to representing the very best artists from Bangladesh. This includes legendary figures such as Zainul Abedin, Rashid Choudhury, and Quamrul Hassan — as well as new talents like Rakib Alam Shanto — bridging the gap between traditional and modern Bangladeshi art.

Revolution Gallery is hosting a talk on the bourgeoning art scene in Bangladesh, Wednesday 10 July, 6:30pm, offering attendees a unique glimpse into the vibrant art culture of Bangladesh.

Tasleema Alam and Nelson Ferreira, both renowned artists, recently returned from Bangladesh where they served as visiting lecturers in Fine Arts at Dhaka University. Their experiences have provided them with firsthand insight into the burgeoning talent emerging from this culturally rich nation. They will be sharing their observations and experiences during the talk, shedding light on the current explosion of artistic talent in Bangladesh.

Tasleema Alam, a distinguished expert in Islamic Art and the owner of Traditional Ateliers, has an impressive portfolio of collaborations with prestigious institutions like Turquoise Mountain, ITHRA and South Bank. She is the first Bangladeshi female artist to collaborate on Royal Commissions for HM King Charles III, in honour of his coronation, further underlining her esteemed status in the art community.

Nelson Ferreira (another Royal Commissioned artist) is known for his mastery in classical drawing and painting techniques; he is a visiting lecturer at several universities and art museums globally. His expertise is further recognized by his teaching engagements: including teaching Walt Disney and ILM artists. Since 2022 alone, his artworks have been seen by about 300,000 people at exhibitions in UK, Portugal, Italy, Nepal, Saudi Arabia and Bangladesh.

This talk presents a rare opportunity for art enthusiasts, collectors, and academics to gain insight into the evolving landscape of Bangladeshi art and to engage with two insightful voices in the field. Attendees will have the chance to explore the Revolution Gallery’s collection and witness the confluence of heritage and innovation that discerns Bangladeshi art as a rising tiger within the umbrella of South Asia.

Date: Wednesday, 10 July 2024
Time: 6:30 PM
Location: Revolution Gallery, 12a Little Portland St, London, W1W 8BJ (Oxford Circus)

Follow Revolution Gallery online and on Instagram. 

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CHASING THE REAL: ITALIAN NEOREALISM | London, BFI Southbank

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The new season at London’s BFI Southbank is on Italian Neorealism, including some rarely screened films. This two-month season features the different formal approaches taken by seven directors who made reality into a spectacle. The season includes twenty titles, from rarely shown gems to seminal works.

Highlights include Rome, Open City (1945), Four Steps in the Clouds (1942), and Shoeshine (1946), where season curator Giulia Saccogna will be giving introductions to the screenings. Christina Newland and academics Professor Richard Dyer and Professor Stephen Gundle will join Saccogna for “Journey Through Italian Neorealism”, offering new perspectives on this influential movement in cinema history.

BFI members can also join a six-session course exploring the portrayal of reality in Italian neorealist film, entitled “City Lit at the BFI: Italian Neorealism – The Cinema of Everyday Life”.

This decisive decade is ripe for rediscovery; it’s been 80 years since Rossellini started work on Rome, Open City (1945) and 70 years since the ‘official’ end of the movement, yet it remains relevant to our current times in its ability to teach us the importance of freedom and to reinforce our capacity for compassion.

LISTINGS:

Rome, Open City (1945)
A foundational Italian neorealist film and a dramatic portrait of a city under occupation.

Four Steps in the Clouds (1942)
A rural interlude for a city employee turns into an idyllic interruption to the monotony of his life, in one of the first films to display neorealist traits.

The Children Are Watching Us (1944)
Family, betrayal and alienation: a masterpiece ahead of its time.

Ossessione (1943)
Emerging from the tumultuous climate of Italy in 1943, Luchino Visconti’s sensational debut wipes out years of fascist rhetoric with its bitter, transgressive realism and radical sexuality.

Paisà (1946)
The second part of Rossellini’s revered war trilogy is a key milestone of Italian neorealism which reveals a truthful simplicity in six searing tales.

Germany, Year Zero (1948)
The final part of Rossellini’s war trilogy divided audiences at the time, while Chaplin called it “the most beautiful Italian film” he’d ever seen.

Shoeshine (1946)
Distinctly compassionate and humane, De Sica’s foundational neorealist drama was the first ever winner of the Oscar for Best Foreign Language Film.

A Tragic Hunt (aka The Tragic Pursuit) (1947)
A little-seen gem, set in the chaos of post-war Italy, by one of the crucial voices in the development of neorealism.

The Bandit (1946)
The trauma of the Second World War is explored in one of the treasures of Italian cinema.

Bicycle Thieves (1948)
The Oscar-winning drama that represents post-war Italy more vividly than any other.

La terra trema (1948)
Visconti’s social conscience, impacted by war, prompted this strikingly beautiful portrayal of the unjust humiliation of workers in southern Italy.

The Mill on the Po (1949)
Alberto Lattuada achieves a starkly poetic grandness with this variation on the themes of neorealism, set during the historic revolts in the Po Valley.

Bitter Rice (1949)
Nominated for an Academy Award and harshly condemned by the church, this drama attracted international acclaim and success, rightfully earning its place in the history of neorealist cinema.

Book for all events across May and June 2024 on the BFI website.

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LIFT FESTIVAL 2024 | London, multiple venues

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LIFT, London’s bi-annual international festival of theatre, brings joyful, daring and unforgettable theatre from around the world to London, using the whole of the city as the stage.  Every two years, LIFT presents a festival full of bold and relevant culture, international perspectives, and thought-provoking performances. The festival’s adventurous-ness is theatrical yeast (The Guardian, 2018), meaning LIFT has done more to influence the growth and adventure of English theatre than any other organisation (Mark Rylance).  Whether it’s a much-loved venue, iconic landmark or unsung corner of London, LIFT gathers Londoners around incredible art.

LIFT’s mission is to create powerful, invigorating experiences that: challenge artistic, political and social conventions; champion artist advancement at home and abroad; lead sustainable internationalism; celebrate and connect London to the world.  This year is no different, with eight exciting shows happening all over London throughout the months of June and July 2024.

LISTINGS

The Land Acknowledgement or As You Like It – London premiere
Southbank Centre- Purcell Room at Queen Elizabeth Hall
5 – 7 June, 8pm
8 – 9 June, 3pm

Democracy From Where I Stand
The Dutch Church, City of London
8 June, 7pm

Bat Night Market – World Premiere
Science Gallery London
11 June – 14 June, 7pm & 15 June, 2pm
BSL performance 15 June

L’Homme Rare – UK Premiere
Southbank Centre: Queen Elizabeth Hall
12 – 13 June, 7.30pm
Post show talk: 12 June
Audio Description available: 13 June

The Trials and Passions of Unfamous Women – World Premiere
Brixton House
14 June – 22 June 19:30
19 & 22 June 2pm
Press night: 17 June

Bacchae: Prelude to a Purge – UK Premiere
Sadler’s Wells Theatre
18 June – 19 June, 19:30
Post show talk: Tuesday 18 June

L’Animale – UK Premiere
Old Bailey, City of London
22 – 23 June 2pm & 4pm

ECHO (Every Cold-Hearted Oxygen) – World Premiere
The Royal Court Theatre
13 July – 27 July 6.30pm/7pm/7:30pm
Matinee performances: Sat 20 July & 27 July, 1.30 & Thurs 25 July, 2.30
Press night: 17 July 7:00pm
Post show talk: 18 July
Captioned and Relaxed Performances – 18 July, 7:30pm & 27 July, 1:30pm

Book now for all eight shows at LIFT’s website, playing 5 June – 27 July 2024.

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COOL RIDER | London, Palladium

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TuckShop, in association with Christopher D. Clegg and James DP Drury, has today announced additional casting of their reunion concert of Cool Rider at the London Palladium on Sunday 14 April at 7pm.  This loving, unofficial parody of the ill-fated movie Grease 2 (1982) had a surprisingly successful run in the West End in 2014, originally conceived and co-produced by Christopher D. Clegg and James DP Drury.

For this one-night-only concert performance, West End stars Aaron Sidwell (Lord of the Rings; Wicked) and Ashleigh Gray (Wicked; Only Fools and Horses The Musical) will reunite and reprise the lead roles of Michael Carrington and Stephanie Zinone.  RuPaul’s Drag Race UK star Kitty Scott-Claus (Death Drop) takes on the role of ‘The French One’, while Grease 2 star Maxwell Caulfield (the original Michael Carrington) joins the faculty as Mr. Stuart.  An ensemble of West End talent joins them; some reprising their roles from the original West End run, and some from the musical’s crowd-funded Original Studio Cast Recording.

The cult film told the heady and daring love story of two unlikely lovers and their road to romance from bowling alley to burger joint, sing-along-a-sex education class to talent show, and long (beautifully lit) romantic motorcycle rides to a slightly incongruous ‘luau’ ending. Much like its musical prequel, the story follows the ancient High School motto: if you want the guy/girl, change your personality beyond recognition and wear overly tight leather in the finale.

From the company who brought you Death Drop; Miz Cracker in Who’s Holiday; GALS ALOUD and sell out drag pantos at the Harold Pinter, Trafalgar, and Phoenix theatres, the concert will be directed by Christopher D. Clegg, musical direction and orchestrations by Lee Freeman, choreography by Matt Krzan, original direction by Guy Unsworth, lighting design by Toby Darvill, costumes by Ryan Webster, and sound design by Will Thompson.Cool Rider was originally conceived and co-produced by Christopher D. Clegg and James DP Drury.

Playing at the London Palladium for one night only: Sunday, 14 April 2024, 7pm.

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HADESTOWN | London, Lyric Theatre

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The multi award-winning musical Hadestown will open at the Lyric Theatre, London, with performances from Saturday 10 February 2024. Following its sold-out run at the National Theatre in 2018, Hadestown won 8 Tony® Awards on Broadway in 2019, including ‘Best Musical’.  Blending modern American folk music with New Orleans-inspired jazz, the Original Broadway Cast Recording of Hadestown won the 2020 Grammy Award® for ‘Best Musical Theatre Album’.

Hadestown takes you on an unforgettable journey to the underworld and back, intertwining two mythic love stories – that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone. Hadestown features music, lyrics, and book by acclaimed Grammy®-winning singer-songwriter and BBC Radio 2 Folk Award-winner Anaïs Mitchell, who originated Hadestown as an indie theatre project and acclaimed album. Mitchell then transformed the show into a genre-defying new musical alongside artistic collaborator and Tony® Award-winning director Rachel Chavkin.

The West End cast will include Dónal Finn (Orpheus), Grace Hodgett Young (Eurydice), Grammy® Award-winner Zachary James (Hades), Melanie La Barrie (Hermes), and Gloria Onitiri (Persephone). Bella Brown, Madeline Charlemagne, and Allie Daniel will play the Fates.  Lauren Azania, Tiago Dhondt Bamberger, Beth Hinton-Lever, Waylon Jacobs, and Christopher Short will play the Workers.  Lucinda Buckley, Ryesha Higgs, Miriam Nyarko, and Simon Oskarsson are Swings. Casting for the London production is by Jacob Sparrow.

The Hadestown creative team features Obie Award® winner and Chita Rivera Award® winner David Neumann (choreography), Tony Award® winner Rachel Hauck (scenic design), four-time Tony® Award nominee Michael Krass (costume design), two-time Tony Award® winner Bradley King (lighting design), Tony® Award winners Nevin Steinberg and Jessica Paz (sound design), Liam Robinson (music supervision and vocal arrangements), Tony® Award winners Michael Chorney and Todd Sickafoose (arrangements and orchestrations), and Ken Cerniglia (dramaturgy).

Playing at the Lyric Theatre 10 February – 4 August 2024.

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I’M EVERY WOMAN: THE CHAKA KHAN MUSICAL | London, West End

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Finally, London is getting a Chaka Khan jukebox musical, chronicling the singer’s extraordinary life. So-called “jukebox” musicals can get a bad name, but there’s no denying that recent UK-born jukebox musicals about Tina Turner, Cher, and The Kinks are big business. This new Chaka Khan musical is set open somewhere on the West End in the autumn of 2024: beyond that, everything else is secret. Until now!

The Prickle had the great privilege of being invited to an industry-only staged reading of the work-in-progress in London, in the presence of Ms Khan herself. Obviously, between now and the real thing, any number of things could change, but let it be said that the work-in-progress is already looking killer. Choreography by Del Mak (a newcomer to musical theatre) is at its most explosive in “I Feel for You”, in an overwhelming sequence that features cameos from Stevie Wonder (Ashley Samuels) and Prince (Hassan Sharif).

But it’s not just the dance and direction (Racky Plews) that astounds. Musical supervisor Ian Oakley also deploys Chaka Khan’s extraordinary back catalogue in the most surprising ways, including a devastating performance of “Pack’d My Bags” by deserting husband Hassan Khan (Duane-Lamonte O’Garro), and an extremely creepy performance of “Like Sugar” by the spiritual embodiment of cocaine (Luke Friend): trust me, it works.

Less persuasive is the slightly reductive “meta” framing device of the whole musical itself being about the development of the Chaka Khan musical, and how difficult it is to find someone to play Chaka Khan. However, there’s definitely something exciting about the tried-and-tested trope of three different actresses portraying different stages of the iconic singer’s life, all to reunite at the end for a massive ensemble sing-along of the title track, “I’m Every Woman”.

It’s unclear how much is going to stay the same and how much is going to change over the next year, but audiences can be sure of a dynamite show: keep an eye out for when tickets go on sale and book early.

Sign up to the mailing list on the official website.

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THE MONGOL KHAN | London, Coliseum

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This lavish, large-scale production, with an ensemble of over 70 performers, has run for over 100 performances in Mongolia, and is now playing at London’s largest theatre for two weeks. It’s the first time any large-scale professional Mongolian production has been performed here: a testament to 60 years of Anglo-Mongolian relations and cultural exchange. Based on historical events, the show explores Mongolian culture and history through music, dance, dialogue and puppetry, with elaborate sets and costumes, all inspired by traditional nomadic culture and tradition.

The Mongol Khan was originally written in 1998 by renowned Mongolian writer and poet Lkhagvasuren Bavuu, and then revived in April 2022 at the Mongolian State Academic Theatre of Drama, to great acclaim, by Mongolian director Hero Baatar. The production has taken inspiration from historical events, archaeological findings, traditional nomadic dances, and the music of the ancient Hun culture of Central Asia from the Hunnu Empire period.

The production’s director, Hero Baatar, says: “Presenting a Mongolian drama in England is a significant historical event, and a unique cultural exchange: an opportunity to bridge cultural gaps and share the beauty of Mongolian theatre with an international audience. It’s a testament to the power of theatre and storytelling to transcend borders and bring people from different cultures together.”

Bordered by China and Russia, Mongolia is one of the world’s best kept secrets as a travel destination, with a vast unspoilt wilderness and extremely welcoming people. The Mongol Khan serves as an introduction to this country and its history to give would-be travellers a taste of the culture and history.

Playing at the London Coliseum, 17 November – 3 December 2023.

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STARLIGHT EXPRESS | London, Troubadour Wembley Park Theatre, Starlight Auditorium

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Due to overwhelming demand, Andrew Lloyd Webber’s Starlight Express has already extended bookings through to 16 February 2025. Seen by over 20 million people across the world since its London premiere in 1984, Starlight Express will make its triumphant return to London from 8 June 2024 at the specially designed Starlight Auditorium at Troubadour Wembley Park Theatre, a state-of-the-art cultural destination only 12 minutes from central London.

A true theatrical event, Starlight Express will fully immerse audiences of all ages inside a world of speed, song and storytelling as an incredible cast of 40 whizz around and above, performing some of musical theatre’s most beloved songs, including “AC/DC”, “Make Up My Heart”, “Light at the End of the Tunnel” and the iconic “Starlight Express”.

As a child’s train set magically comes to life and the engines race to become the fastest in the world, Rusty the steam train has little hope of winning until he is inspired by the legend of the ‘Starlight Express’. Casting and all further information regarding the production will be announced in due course.

The first show by Lloyd Webber Harrison Musicals, Sunset Boulevard is currently playing at the Savoy Theatre in London. Starlight Express will be the second show produced by Lloyd Webber Harrison Musicals, the new partnership of Andrew Lloyd Webber, composer of some of the world’s most famous musicals, and Michael Harrison, critically acclaimed, award-winning international producer.

Playing at the Starlight Auditorium 8 June 2024 – 16 February 2025.

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