INTERVIEW: TIM EDGE (ONE OF THE BOYS) | London, Playground Theatre

Interview

Tim Edge is the self-professed rabble-rouser and writer of his acclaimed debut play Under The Black Rock (2023). His second play, One of the Boys (2024), is running at the Playground Theatre in West London, 1 – 26 October, 2024.

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— What inspired you to write One of the Boys?

Having been brought up in a household surrounded by women, I have always been tuned in to female voices and struggles. Also, I have worked in high-pressure environments, like those depicted in the play, where inappropriate male attitudes and behaviours made me feel deeply uncomfortable. I wrote the play because sexism ruins lives and careers. Ideally, I want men to see the play, and to change their behaviour.

— Now that we are all working from home, the days of office sexism are behind us; aren’t they?

Not a bit of it! Although the headline characteristics of office sexism are less blatant, its effects and reach are more insidious; particularly through the use of social media. My daughters, who are making their own way in the workplace, tell me stories to indicate that much still needs to be done before women can feel secure and valued in all work settings.

— To what extent is One of the Boys in the same style as your last play, Under The Black Rock?

Obviously, it’s a very different subject matter — the Northern Ireland Troubles to the corporate world — but very much the same style; which I characterise as gasps, laughs, and a punchy plot that races along. Ultimately though, the play is designed to confront, to engage and to get people talking. Our audiences so far tell us that this is being achieved!

— What’s next for Tim Edge?

A break to re-set and re-charge! I’m delighted, though, that my production company has been able to offer opportunities to a number of talented actors and creatives over the last two years. On the writing front, a third play called That Look is in development. I am also writing a detective novel, inspired by the works of Raymond Chandler and Derek Raymond.

One of the Boys plays at the Playground Theatre in West London, 1 – 26 October, 2024.

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I’M EVERY WOMAN: THE CHAKA KHAN MUSICAL | London, West End

Recommended

Finally, London is getting a Chaka Khan jukebox musical, chronicling the singer’s extraordinary life. So-called “jukebox” musicals can get a bad name, but there’s no denying that recent UK-born jukebox musicals about Tina Turner, Cher, and The Kinks are big business. This new Chaka Khan musical is set open somewhere on the West End in the autumn of 2024: beyond that, everything else is secret. Until now!

The Prickle had the great privilege of being invited to an industry-only staged reading of the work-in-progress in London, in the presence of Ms Khan herself. Obviously, between now and the real thing, any number of things could change, but let it be said that the work-in-progress is already looking killer. Choreography by Del Mak (a newcomer to musical theatre) is at its most explosive in “I Feel for You”, in an overwhelming sequence that features cameos from Stevie Wonder (Ashley Samuels) and Prince (Hassan Sharif).

But it’s not just the dance and direction (Racky Plews) that astounds. Musical supervisor Ian Oakley also deploys Chaka Khan’s extraordinary back catalogue in the most surprising ways, including a devastating performance of “Pack’d My Bags” by deserting husband Hassan Khan (Duane-Lamonte O’Garro), and an extremely creepy performance of “Like Sugar” by the spiritual embodiment of cocaine (Luke Friend): trust me, it works.

Less persuasive is the slightly reductive “meta” framing device of the whole musical itself being about the development of the Chaka Khan musical, and how difficult it is to find someone to play Chaka Khan. However, there’s definitely something exciting about the tried-and-tested trope of three different actresses portraying different stages of the iconic singer’s life, all to reunite at the end for a massive ensemble sing-along of the title track, “I’m Every Woman”.

It’s unclear how much is going to stay the same and how much is going to change over the next year, but audiences can be sure of a dynamite show: keep an eye out for when tickets go on sale and book early.

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INTERVIEW: KYLE RAMAR FREEMAN (A Strange Loop)

Interview

Broadway’s Kyle Ramar Freeman stars in the London production of Pulitzer Prize-winning musical A Strange Loop, playing at the Barbican 17 June – 9 September, 2023.

– Congratulations on landing the lead role in the Pulitzer Prize-winning musical, A Strange Loop. How does it feel?

It feels amazing, and full circle that I get to be in this moment with this show. I am forever grateful for the experience, and the opportunity to tell a story that is so authentically itself; that millions of people will be impacted by for the years to come.

– So, do you prefer performing on Broadway or the West End? Be honest.

I would only say I prefer Broadway because my family and friends have access to see me perform more there than they would in London.

A Strange Loop is very critical of conservative American Christianity, particularly in regards to homophobia. But also, the musical touches on that feeling of being abandoned by God. As a Christian yourself, has it felt difficult to be part of this production?

No, it has not been difficult to be a part of this production in that regard. But I have felt that way in my own life. And coming from a community within church that feels like home to you – but also is a place that does not really love your true self – is a tricky thing to navigate. However, it’s important for the show to speak on an experience that does not often get to be put in the spotlight. Especially for a fat black gay person to tell it, in its raw form, as we get to do in A Strange Loop.

– What’s next for Kyle Ramar Freeman?

The revival of The Wiz on Broadway is what is next for me! I will be the Lion, and I am so thrilled to be a part of the history of that magnificent show. I could not be more thrilled to start that journey.

See Kyle Ramar Freeman live at the Barbican Theatre 17 June – 9 September 2023.

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