INTERVIEW: MARK WARTENBERG | Berlin, Germany

Interview

Berlin-based actor Mark Wartenberg is in the throes of a new challenge: recording a sonnet a day, and posting each video onto Instagram.  He explains his fascination with Shakespeare, and how he got the idea in the first place.

– How did you come up with this idea of doing a Shakespeare sonnet a day?

I think that doing a sonnet a day is quite a unique way of conveying the liveliness, nuances, inventiveness, and paradoxes of Shakespeare’s style. For instance, I imagine he dashed some lines off while obsessing over others. And I think that the daily attempt to perform each sonnet under limited preparation time also conveys what I imagine was Shakespeare’s interest in taking risks poetically.

– And you do every sonnet differently.

I try to mix things up a bit: different locations; different acting styles; different camera angles; depending on how I feel, and the energy of the sonnet. Sometimes the sonnets are sung, sometimes they are performed in an accent, et cetera.

– We have 154 published Shakespeare sonnets: isn’t it quite a challenge to knock a new one off every single day?

Each of my performances is necessarily imperfect. I mean, there might be a lack of diction; or I might forget or flub lines; there might be hazy intention and meaning; et cetera. But I believe that all hundred and fifty-four performances together will create a powerful work.

– You’re also not British.

My English is native-level, and sounds American, but I’m actually French-German-Indonesian.  But I think the fact that I’m not British adds an interesting dimension: Shakespeare didn’t talk in RP [received pronunciation], so departing from that might bring him closer to us.

– What fascinates you about Shakespeare, and particularly his sonnets?

It’s the imaginative breadth, depth and playfulness. How he seems to love contradictions and nuances, and yet his sonnets are very dramatic. They’re also, often, very silly. Shakespeare has such a bold way of creating images, breaking rules, and still following through on logic. And I love the cadence of his poetry: it creates these amazing variations in thought and emotion.

– What about Shakespeare the man? Are you equally fascinated by the historical Shakespeare?

Notoriously little is known about Shakespeare, which is perhaps why I find him so fascinating. He was living in a world so different from ours – Renaissance England – but he wrote verse that is incredibly vivid, still to this day.

Follow Mark Wartenberg on Instagram for recordings of all 154 of Shakespeare’s sonnets.

The Prickle - About transp

REFLECTIONS | Berlin, Bar Jeder Vernunft

Recommended

Jack Woodhead’s new show Reflections is bruising, wounding cabaret in all its rabid, raucous splendour. After committing a murder – matricide – reflecting is Jack’s coping mechanism, a spectacular and intimate form of PTSD. Jack’s shimmering and darting reflections move with streamline precision towards redemption through loss of memory. In his own words, Jack searches “far and wide” for his forgotten inner child. He must remember what is forgotten, in order to forget what he remembers.

But did Jack murder his mother? Perhaps he’s just a little drunk, just a little lonely, sipping a tipple while sitting in a moth-eaten armchair in a cold flat in a dark windswept city no one has heard of. Perhaps he lives a life of quiet desperation that reaches sublime heights that no one will ever know.

Reflections is life seen through a peephole, magnified and whispered through art and alcohol. It shows how life can slap you around and you may just slap it back. It shows imagination as a corrective and rampart to reality. But though reality bites back, the siren call of the forgotten inner child, lured to the surface by alcohol, trauma, or simply by childlike wonder, can provide solace.

Somewhere between Beethoven and burlesque, with his band of four, Jack Woodhead manages to negotiate a musical metamorphosis from concert pianist to cabaret star. His dramatic make-up is only surpassed by his eccentric stage outfits. Flashy and provocative in nail varnish, leather, fur and sequins, he moves elegantly and sleekly across the stage. His performance is lightning fast, sharp as a razor and completely wacky.

Next playing 25 April and 13 June 2022 at Bar Jeder Vernunft, Berlin.

The Prickle - About transp