Based on Charles M. Schulz iconic comic strip about Snoopy and the “Peanuts” gang, this 1967 musical revue created by Clark Gesner and the original company has won a slew of awards over the years, including a successful run on Broadway. This is just a graduate showcase for the School of Drama Bachelor of Fine Arts students, but boy, you’d never know it: it plays like a professional version.
Despite the quintessentially American trappings with Thanksgiving and little league baseball, it is amazing how this musical takes on new meaning in Hong Kong. With a new Cantonese translation (Wong Cho-lam, Li Wing-hong), there are lots of fun updates like a reference to “Baby Shark” instead of “Frère Jacques”. Even accidentally, in Cantonese, Snoopy’s imaginary fight against “The Red Baron” takes on connotations of the fight against a “red” communist regime. But really, the central themes of school-bred anxiety in children, and “Give me a child till he’s seven, and I will show you the man”, are universal.
Though ostensibly a cast of “actors who sing”, as opposed to musical theatre students, the quality of the vocal ensemble, not to mention electrifying choreography (Tony Wong), is already professional standard.
The cartoon, cardboard-cutout set (Siu Jiou) is a huge part of the action, with a row of portholes serving as everything from traffic lights to Charlie Brown’s (Kwong Oon-hin) anxiety, shown through massive eyes shifting left and right. Get a ticket to the next graduate showcase; you might just be seeing the stars of tomorrow.
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